<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Great-Divergence on The Way of Open Source</title><link>https://www.opensourceway.blog/en/tags/great-divergence/</link><description>Recent content in Great-Divergence on The Way of Open Source</description><generator>Hugo</generator><language>en</language><copyright>Copyright (c) 2016 - 2026, 「开源之道」·适兕; all rights reserved.</copyright><lastBuildDate>Mon, 31 Aug 2026 01:35:20 +0800</lastBuildDate><atom:link href="https://www.opensourceway.blog/en/tags/great-divergence/index.xml" rel="self" type="application/rss+xml"/><item><title>China Open Source Daily — 2026-08-31</title><link>https://www.opensourceway.blog/en/posts/china-open-source-daily/2026/08/2026-08-31/</link><pubDate>Mon, 31 Aug 2026 01:35:20 +0800</pubDate><guid>https://www.opensourceway.blog/en/posts/china-open-source-daily/2026/08/2026-08-31/</guid><description>&amp;#34;Huawei&amp;#39;s openJiuwen has four papers accepted at EMNLP 2026 — 2 Findings, 1 Industry Track, 1 Demo — publishing the first time a Huawei 2012-Lab open-source agent platform has received top-tier ACL-family academic endorsement at the industry-track level, using peer-reviewed academic legitimacy to promote commercial products; Jiang Tao (硅基时间/Silicon Time) publishes the second half of &amp;#39;Chinese large models are world-class, so why is the developer ecosystem still in others&amp;#39; hands?&amp;#39; with the first quantified &amp;#39;derivative-mass gap&amp;#39; — 34,000 Qwen derivatives on ModelScope vs. 151,000 on Hugging Face — an empirical anchor for the default-path institutional-economics thesis; Xie Lan (清华AIRI院长, State Council Advisory Group) writes in 《中国社会科学报》 — China&amp;#39;s most authoritative social-science official media — explicitly using the &amp;#39;Great Divergence&amp;#39; term in AI governance discourse and positioning &amp;#39;open source + high-quality foundation models&amp;#39; as an instrument of cultural sovereignty and diplomatic statecraft.&amp;#34;</description></item></channel></rss>